THE FLIPSIDE

The Flipside is a space for rethinking music education. Through honest reflection, bold ideas, and real-world experiences, this blog challenges traditional assumptions and explores what music learning can become. From modern band and inclusive practices to creativity, community, and lifelong musicianship, The Flipside looks beyond “the way it’s always been” and asks what truly serves students.

Kevin Droe Kevin Droe

The Sharing Phase: Designing for Contribution

Designing Musical Growth – Essay 4

What is music ultimately for? Technical fluency and embodied participation are essential, but they are not the final destination. In this concluding essay of the Designing Musical Growth series, I explore how music becomes an act of generosity, something we offer rather than demonstrate, and why helping students contribute through music may be one of the highest purposes of music education.

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Reflections Kevin Droe Reflections Kevin Droe

The Embodiment Phase: Designing for Participation

Designing Musical Growth – Essay 3

What happens after students learn the notes? Too often, we assume expression will naturally follow. In this essay, I introduce the Embodiment Phase—the point where students move beyond simply producing music and begin participating through their whole body. Discover why movement isn't

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Reflections Kevin Droe Reflections Kevin Droe

What Kind of Musician Are We Trying to Develop?

Designing Musical Growth – Essay 1

That simple question has reshaped how I think about music education. In this essay, I introduce a new framework for understanding musical growth—not just as technical development, but as a journey from Technical, to Embodiment, to Sharing. What if the ultimate goal of music education is helping students use music to make a difference in someone else's life?

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